The air in the storage unit hung thick with the ghosts of forgotten synths. Dust motes danced in the lone flashlight beam as I pried open the case. Inside, a Model D, bathed in a sickly green from the leaking overhead bulb, awaited rescue. It was a mess. But even in this state, there was that smell – the unique blend of aged wood, warm electronics, and… hope.

Many have tried to recapture the magic. Clones and reissues. But few, if any, truly nail the feeling. The new Minimoog Model D is different. It’s not just a copy; it’s a rebirth. This thing is built to be a workhorse.

The filter. Oh, that luscious, cascading filter! It’s the heart and soul of the Minimoog sound, and the modern iteration doesn’t disappoint. You can smoothly sweep from mellow warmth to searing resonance, instantly recognizable. Another detail that sets it apart: the carefully calibrated oscillators. They drift just enough, even when dialed in, providing that characteristic organic texture that digital recreations often miss. Getting that perfect, subtle wobble is a joy. The original’s notoriously finicky pitch stability is addressed, thankfully.

Of course, it’s not perfect. Like any analog synth, it does need time to warm up. Give it twenty minutes, and you’ll be rewarded with that rich, full tone. It’s a minor inconvenience, honestly. Plan ahead, that’s all.

For a player who is after an iconic sound, the new Model D is an absolute no-brainer. If you’re a gigging musician, a studio hound, or just someone who craves the genuine article… go for it. This isn’t just about owning an instrument. It’s about owning a piece of musical history. Your next step? Book some studio time. You’re going to want to record with this thing. Now.